Maple Leaf Sports and Entertainment BL ScoreBug and RossVideo XPression

Maple Leaf Sports and Entertainment BL ScoreBug and RossVideo XPression BlueBox

Maple Leaf Sports and Entertainment required an automated HD/SD ScoreBug solution to drive their in-house broadcast of Hockey, Basketball and Lacrosse games at the Air Canada Centre. Bannister Lake delivered Scorebug with AutoPilot running on RossVideo XPression BlueBox SCE to display scoring and time for their sports broadcasts.

Printable Version

  • ScoreBug Hockey, Basketball and Lacrosse applications run on the RossVideo XPression BlueBox SCE.
  • ScoreBug AutoPilot connects to the OES scoreboard controller for automatic control of game scores and time.
  • GPO from M/E on production switcher takes the ScoreBug off during replays.
  • In house video content keyed with ScoreBug output for final presentation.

Miami Heat – BLScoreBug Basketball

Miami Heat – BLScoreBug Basketball

Customer: Miami Heat
Application: BLScoreBug Basketball with Autopilot
Platform: Harris ChannelOne with RTXPorts

Printable Version

Miami Heat required an automated Basketball ScoreBug for their in-house broadcast system that would integrate with Daktronics Scoreboard controller and output score results in real time to their Harris Channel One system.

  • Daktronics ScoreBoard controller data feed connects to Harris Channel One system with BLScoreBug Basketball and Autopilot.
  • BLScoreBug renders the ScoreBug layout in real time to the graphic ‘scorebug’ region in the Channel One layout.
  • ScoreBug can be switched to manual control.

McMaster University – Residence Life – Residence Information System

McMaster University – Residence Life – Residence Information System

Customer: McMaster University – Residence Life
Project: Residence Information System
Application: Harris/Infocaster

Printable Version

McMaster University required a Residence Information System to broadcast dynamic content (images, text and video) throughout their 12 residence buildings, which serve as home to approximately 3700 McMaster Students.

  • System provides improved message delivery of information, news and campus activities to residence students.
  • Cost savings realized through digital (not paper) production & distribution.
  • Allows customized messaging to individual residence buildings, connecting to McMaster’s RSS feed for current news and events.
  • System provides new opportunities for advertising and promotion of McMaster University campus partners.
  • Secure LCD enclosures with Lexan screens to prevent tampering and vandalism.
  • Built in capabilities to address future security and emergency messaging to residences.

Lone Eagle Entertainment – Real-time Game Show Graphic Engine

Lone Eagle Entertainment – Real-time Game Show Graphic Engine for Inside the Box

Customer: Lone Eagle Entertainment
Application: Real-time Game Show Graphic Engine for production of ‘Inside the Box’
Platform: Inscriber GScribe with RTX Ports

Printable Version

Lone Eagle Entertainment required an automated broadcast display solution for their Contestant and Operator applications to output real-time graphics for production of their hit game show, Inside the Box.

  • The Operator Application uses a Case file to display a series of questions on the Contestants’ Touchscreens.
  • Operator starts the game round with a 2 minute countdown clock and verifies the Contestants’ response to each question.
  • The graphic engine interprets each Operator command to output Clues, Hints, Scores and animations in real-time.
  • Having access to the GScribe character generator allowed production staff to make quick modifications to the graphic elements
    during production.
  • Generating graphics during the show production reduced the costs of inserting graphics in post production.

HSBC A5N – BL ScoreBug Lite

Alpha Sports required a compact and portable HD/SD Rugby ScoreBug solution for their coverage of the 2011 Asian 5 Nation Rugby tournament. Bannister Lake delivered Rugby Scorebug running on RossVideo Xpression Studio offline to manage and display all in-show graphics for the HSBC A5N tournament.

Printable Version

  • RossVideo Xpression Studio and Rugby ScoreBug run on standard laptop with dedicated Nvidia graphics card.
  • DVI-D and analog audio from laptop connects to Matrox Convert DVI.
  • Matrox Convert DVI outputs HDSDI, HD to SD down convert or SDI with embedded audio to switcher.
  • No additional CG is required. Rugby Scorebug also provides boards for Lineups/Reserves, Rosters, Standings, Name Keys, Intro/Weights and Substitutions.

Eastlink Television – BLScoreBug with Remote Control

Eastlink Television – BLScoreBug with Remote Control

Customer: Eastlink Television
Application: Bannister Lake BLScoreBug with Remote Control
Platform: Inscriber/Harris GScribe G3 with RTXPorts

Printable Version

Eastlink Television required a ScoreBug solution that operated concurrently with their Inscriber GScribe system.

  • BLScoreBug Remote Control ‘Client’ connects to BLScoreBug ‘Server’ on GScribe system via TCP/IP.
  • BLScoreBug Remote Control enables full remote control of BLScoreBug on the G7, G3 and G1
  • GScribe Platform, allowing BLScoreBug and GScribe to output concurrently in SD and HDTV on Single or Dual channel systems.
  • BLScoreBug Remote Control supports GScribe Version 3X, 5X and 6X systems with the RTXPorts option

Eastlink Television/ CBC News – 2008 Nova Scotia Municipal Elections

Customer: Eastlink Television/ CBC News
Application: Bannister Lake BLElector
Platform: Inscriber/Harris GScribe G3 with RTXPorts
Project: 2008 Nova Scotia Municipal and School Board Elections

Printable Version

Eastlink Television and CBC News required a central secure web-based application to manage and display results for the 2008 Nova Scotia Municipal and School Board Elections.

  •  BLElector provides Operator and Administrator forms to manage input of results and headlines.
  •  Headline Control form manages the order and schedule for messages displayed in the crawl region.
  • Both Results and Headline Control applications write to a central database connected to the GScribe system.
  • Users from 55 regions login remotely to enter results for local ridings.
  • A two channel Gscribe system and BLElector managed

TPNEvents – Automated High Definition display solution for Visitor Center.

Customer: TPNEvents, Seattle
Application: Automated High Definition display solution for Boeing 787 Visitor Center.
Solution: Inscriber Infocaster, RFID reader, MySQL Database, ASP.NET and INCA RTX port.
Platform: Inscriber Infocaster with INCA RTX port option.

TPN Events required an automated display solution for the Boeing 787 Visitor Center in Seattle. The high definition Infocaster display solution is automatically triggered by an RFID card reader connected to a MySQL database and INCA RTX port. BLSoft RFID Data Control application allows secure entry and management of new visitors, companies and video clips.

Printable Version

• RFID card generates data string for the RFID Parser/Converter application.
• RFID Parser/ Converter initiates look up “Name, Title, Company, Video” on MySQL database.
• INCA RTX Port application running on Infocaster generates CG overlay for background video clip.
• Infocaster Creator/Player outputs DVI to Christie S12 projector.


Chameleon Support in Telestream’s Wirecast

With the growing trend of live streaming, producers are searching for various tools available to make their production switching workflow as smooth as possible.  Bannister Lake’s focus is its flagship product, Chameleon, our data and graphics platform.  Chameleon allows aggregation, moderation and distributing of any data type from news, elections, sports scores, traffic, weather, closings, alerts, etc… and distribute it back through an API or using it’s own graphics rendering engine.

At this years IBC, we discovered key features in Wirecast Pro that make the two platforms work together with very little effort. 


Chameleon HTML5 render isn’t restricted to any dimension or style.  The conventional means of using 16×9 isn’t necessary in the world of web, and therefore, custom graphics created using Chameleon’s rendering engine allow users to create graphics in whatever size they want.   This becomes useful in Wirecast’s production environment, where using their Web Display tool as a source, you can specify the dimensions of your graphics.  And an even more impressive feature, Wirecast supports HTML5’s alpha channel.

With Chameleon, users have a full on solution for tickers and branding.  Chameleon’s powerful branding tool can allow larger productions to schedule bugs, snipes and promo/sponsorship material during their broadcast.  And for 24/7 users of Wirecast, producers can integrate their programming lineup in Chameleon and have support for displaying upcoming content.  On the data side, Wirecast users of Chameleon, can display everything from social media content, news, elections and sports scores results in an automated continuous cycle, enhancing information for your viewers.  Essentially, Chameleon is an enhanced CG ticker/branding solution that works out of the box with Wirecast.

For commercial companies, looking for a package to distribute data while broadcasting their content, Chameleon and Wirecast is the ideal solution.

To view a sample of the html5 rendering, visit

For information on Chameleon, contact

E-Sports as a Content Game Changer

e-Sports:  Gaming as a Content Game Changer

It’s time to have a serious talk about how e-sports is changing the way people are consuming content. Endless news articles report on the “demise” of viewership on traditional cable networks but on the other end of the spectrum – where are viewers going?  Hopefully this article will give cable companies and other media professionals insight on this new breed of broadcasting.

Let’s examine two recent events –  King’s Cup 2017 and Overwatch World Cup 2017 where Alain Savoie, Creative and Technical Director for Bannister Lake, assisted with their live data and graphic needs.  The two events are great examples of how this new medium is disrupting content for a new type of viewership.  

The King’s Cup tournament is structured like a one off, a stand alone event where amateur players from around play for an opportunity to win $20k.  Some 200 players competed through multiple rounds to reach a final 8 tournament joined by pro players and celebrity Youtubers.  The highest amount of viewers were around 200,000 with about 1.5 million in total watching on the last day of the event.

Overwatch, was part of Blizzcon 2017.  World pro players have been competing for weeks and this event included the final 8, going head to head to win bragging rights.  The Anaheim Convention Arena, where this tournament took place, had about 8,000 people watching on location.  At Blizzcon however, there were an extra 2 stages where other streams and events were happening. 

It’s an area of media that is growing exponentially. Every year there are more subscription-based and knowledge-based gamers attending these events. The attendees have a lot of money to spare.  The most recent experience at BlizzCon witnessed roughly 26,000 people at $200 per ticket.   That amounts to $5 million dollars.  That figure doesn’t include the virtual tickets that were also purchased nor the sponsorship that were involved during the weekend.  And the sponsorship deals?  They are not small. The 2 day Overwatch World Cup was sponsored by T-Mobile.  Don’t forget the merchandise where it’s recommended you purchase online, ahead of time and pickup at the conference because, (as seen in the picture) the lines are long, snaking endlessly for what looks like a queue at your favorite Disney ride.

e-sports merchandise


Traditional vs e-Sports: Key Comparisons

There are No Rules!

The other factor to keep in mind is that the content creators for these events don’t care about the traditional rules of broadcasting.  No need for 1080i, or 2 minute commercials every 15 minutes.  Kings Cup was streaming at 1080p while Overwatch was at 720p.   Commercial breaks ranged between 2 minutes to 6 minutes depending on what was happening behind the scenes.   The broadcast doesn’t need to end at exactly hh:mm, that said, even gamers eventually tired out.   The production will always have requirements to get paid by their sponsorship partners, and therefore, frequencies of snipes and billboards vary on when to air it. 

Currently live non-sporting viewership is dropping and binge watching content is rising.  While the sporting events on traditional broadcasts still pull in large and relatively reliable numbers, people are still fascinated by live events and the same can be said for e-sports.   The idea of a community participating in a live worldwide event at the same time, still appeals to hardcore fans, while archives of the tournaments can be watched on YouTube post-event. Try to find a complete Superbowl or Stanley Cup finals on YouTube. e sports rights holders are less concerned about distribution partially because they are the distributor.

Production Costs? What Production Costs!

Putting on a live show used to be expensive, especially in manpower.  With the popularity of e-sports for the younger generation, the distribution means are not conventional and therefore viewership is generally lower.  So there’s this need to produce content at a more affordable rate while still offering the same level of quality product expected in high end sporting events.    Make no mistake, the event staging and tech was high end but behind the scenes the crews were generally leaner. 

The stages had their four to six professional cameras feeding the studio switcher.   They also had Go-Pros attached to the monitors of each player.   An immediate difference to conventional sports was the actual in-game videos.  Overwatch as an example, had a TD switch between all 12 players, allowing us to watch from the POV of the gamer.  The replay engines are 2nd to none.   For years EVS operators  in sports have been responsible for capturing and playing back highlight reels of a play.   In the e-sport world, some games do those highlight playbacks for you, with outstanding angles and exceptional render quality.

Deep Understanding – Know the Content!

One important observation to note is the knowledge base of the product by the viewers, who range between ages 12 to 40 years old, mostly males in their 20s.  One thing’s for sure –  they know their content.  Watching football, baseball, soccer, and hockey, most die-hard fans know enough stats but don’t necessarily need to know how to play the games. They have a rough idea of what’s going on.

Content and viewing games such as Overwatch, Clash of the Clans, Call of Duty, and like, demands a viewer’s undivided attention. There are different game plays, maneuvers, strategies, equipment, and stats that are not immediately obvious to newcomers.   The content is delivered and therefore ingested very quickly.  It’s easy to follow a baseball game, but it’s a lot harder following Overwatch.  

Who’s There? 

The attendees also lineup to play games.  Rows of computers are setup for people to play the game and there are easily hour long line ups to play them.  

The majority of attendees were white males in their twenties, with a fair share of white females.  Plenty of Asian players as well but noticeably lacking were African American players.

e-sports gameplay

Assume that each of these attendees is going to go home and buy this game.  Therefore, there’s a large sum of money being made by the gaming industry.  Their goals with having the Championship matches streamed is to attract more viewers for higher ratings in sponsorship money which then also leads to merchandise sales and perhaps the sales in the game itself.  

As for the professional players, they’re well structured and organized.  There’s a committee for each team to select the players, there’s a captain on the team as well as a coach.  The players form strategies in the games and the hard-core fans know who they are and how they’ll play.  The pro-players aren’t kids arriving in sweatpants and t-shirts. They are sponsored and dressed in proper uniforms, representing their country. They take this very seriously.

Future of traditional cable and e-sports

Is there a future in cable and e-sports?  Will cable companies embrace this new medium?   They haven’t so far.   YouTube, Facebook and Twitch have.  Tellingly, that’s where the new generation is going for their consummation of content.   TBS stations are showcasing some redistributed content on occasion.  And there are some new streaming channels being created, dedicated for watching games. 

So what’s next? 

Since the medium is relatively new, there’s a lot of research and development still being made in how to distribute and display this content.  In the traditional sporting world, data and score bugs have been in the works for years, where in most cases these days, you can get data directly from the arena.  With e-sports, the game developers haven’t fully developed the integration with broadcasting in mind, so a lot of data and results and stats are manually being entered, or being transferred in a more manual method.

Games will eventually improve as well.   Virtual reality will eventually let viewers watch the game from inside the game as it’s being played.  Certain game styles may also develop stories to go along with the sports itself.   And although for now, some of these games are tournaments, there’s no reason why EA’s FIFA or MADDEN, won’t eventually include a year long season, with pro-teams, training facilities,  players, draftees, general managers, coaches and captains.   This also means camera crews, TD’s, audio techs, CG ops, EVS ops and others are needed to produce these events.   Even the Olympic and NCAA committees are discussing the possibilities of including these e-sports into their organizations. 

As for the production itself, foreign streams will become more important as e-sports isn’t necessarily regional, but rather international.  Conventionally, Olympics and International tournaments require the distribution be done by the destination country, e-sports tournaments are produced and distributed at the source.  So multiple language streams and data will increase viewership and therefore revenue, followed by the necessity to develop content for those streams.  

Baby Boomers as parents didn’t understand the appeal of Gen X’s fascination with Atari and Nintendo.  Those platforms generated millions of dollars and created the infrastructure that launched Millennial’s interest in gaming.  Gen Xers are creating at the same level as Millennials and will soon be overtaken by their interests so current generations shouldn’t ignore Millennials interests in this e-sports world.